Once the two become one, their interaction is tender, as if it were a spiritual relationship, even though the movement remains fully physical. Then they change sides of the stage, so we can see the other view of each dancer, and we also become more aware of how differently the same movement looks on such disparate physiques.Īs they brush past each other passing between the poles, they become aware of each other and gradually begin to move as a couple. Kotze and Stansky begin, doing their own arrangements of the same movement materials, each facing an opposite front, so we can see at once the front and back views. The dance has been expanded to thirty-minutes and now has 27 lights in three rows as a set: to the tall center-stage standards, she has added two rows of two-foot high ones, placed toward the outer edges of the space, creating two wide corridors for dancing. Her solution was a row of nine clear light bulbs, mounted on five-foot poles – a kind of luminous picket fence, devised by her and artist Jonathan Allen – thatbisects the stage. Trained in architecture, Kotze wanted somehow to divide the space, so we could choose which dancer to watch. The original concept of this collaboratively made duet was an investigation of how we, the audience, perceived two simultaneous solos. In “Between You and Me” – which began its life as part of the 2010 RAW Material project – the pairing of Joanna Kotze and Francis Stansky is inspired: she’s tall, lithe, and willowy, he is sturdy, compact, and tightly wound. Both artists’ work offered substantial rewards, although the first was more successful overall. ![]() In the first half, the audience straddled two sides of the stage, and for the second, we watched from the conventional front. For this program of dances by Joanna Kotze and Benn Rasmussen, the theater had to be completely rearranged at intermission. ![]() It provides waterproofing on the inside of the cast and allows the inside to be wiped down with wipes or water as needed.Dance New Amsterdam’s Splice program pairs two choreographers on a single program, which gives the audience a chance to sample two different artistic points of view, while giving both enough time to explore their esthetics sufficiently. Many casts also include a Gore-Tex lining, which is similar to the texture of a thin raincoat. For babies, the opening is large enough to tuck a diaper on the inside, and then an additional diaper is worn over the cast to keep the inside diaper in place. Spica casts have a large opening in the front and back to allow the wearer to use the toilet. Some spica casts also include a cross bar attached the legs near the knee or calf to add additional stability. Such casts, called pantaloon casts, are occasionally seen to immobilize an injured lumbar spine or pelvis, in which case the trunk portion of the cast usually extends to the armpits. In some cases, a hip spica may only extend down one or more legs to above the knee. Fiberglass is generally preferred, as it is stronger than plaster and significantly lighter. ![]() ![]() It is then wrapped in either a fiberglass or plaster cast. Spica casts are typically made using a soft padded lining, which tightly wrapped around the leg and hip joint. Spica casts are used for treating hip dysplasia (developmental dislocation of hip). Hip spicas were formerly common in reducing femoral fractures. The extent to which the hip spica covers the trunk depends greatly on the injury and the surgeon the spica may extend only to the navel, allowing mobility of the spine and the possibility of walking with the aid of crutches, or may extend to the rib cage or even to the armpits in some rare cases. A one-and-a-half hip spica encases one leg to the ankle or foot and the other to just above the knee. A hip spica which covers only one leg to the ankle or foot may be referred to as a single hip spica, while one which covers both legs is called a double hip spica. It is used to facilitate healing of injured hip joints or of fractured femora.Ī hip spica includes the trunk of the body and one or both legs. Type of orthopedic cast Illustration of two types of hip spica castsĪ hip spica cast is a sort of orthopedic cast used to immobilize the hip or thigh.
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